MATTHEW NIENOW
The Shipwright's Prayer
O hammering body
made of the teeth of saws,
made of mallets turned
on the lathe,
o awl, o holy geometry
of the try square and perfectly
sharpened pencil, o jar of rust,
catacomb for the nail,
tap and die, o threaded vacancy
in the wood, cantankerous
plumb bob dangling from
the high shelf, o tidy opening
let into the case before
the lead is cast,
the impurities sent out
in black smoke,
o on switch and tripped
breaker, dim light for
bright work, fat bit
chucked up, o feather board
and C clamp, rough stock
in a stack in the corner,
o fence lock and push stick,
o blade spinning in the machine--
send the news ahead of time;
I will listen for your every word.
160 The Paris-American
O hammering body
made of the teeth of saws,
made of mallets turned
on the lathe,
o awl, o holy geometry
of the try square and perfectly
sharpened pencil, o jar of rust,
catacomb for the nail,
tap and die, o threaded vacancy
in the wood, cantankerous
plumb bob dangling from
the high shelf, o tidy opening
let into the case before
the lead is cast,
the impurities sent out
in black smoke,
o on switch and tripped
breaker, dim light for
bright work, fat bit
chucked up, o feather board
and C clamp, rough stock
in a stack in the corner,
o fence lock and push stick,
o blade spinning in the machine--
send the news ahead of time;
I will listen for your every word.
160 The Paris-American
Matthew Nienow's work has recently appeared in Crazyhorse, Narrative, New England Review, and Poetry. A 2013 Ruth Lilly Fellow, he has also received fellowships and awards from the National Endowment for the Arts, the Elizabeth George Foundation, Artist Trust of Washington, and the Bread Loaf Writers' Conference. "The Shipwright's Prayer" is included in his completed manuscript, House of Water. Matthew lives in Port Townsend, Washington with his wife and two sons, where he builds boats and works as a writer-in-residence at a small independent school.