SAM SAX
Chastity
before i ever had it
i used to think sex was just
a mirror
you’d stand before
and see monsters
now i know it’s something alive
you slide a knife into
that doesn’t even bleed
not much of a difference
besides the pedigree
there are all kinds of dogs
you can lay beneath
some with fancy haircuts & collars
some with separation anxiety
i used to believe in things like beauty & kindness
i used to tie up my hair & rouge my face
the first notes i got on my manuscript
were that i couldn’t leave all the men
who are dead to me and dead
in my book nameless
so i went through with a red pen
so i practiced
resurrection
178 The Paris-American
before i ever had it
i used to think sex was just
a mirror
you’d stand before
and see monsters
now i know it’s something alive
you slide a knife into
that doesn’t even bleed
not much of a difference
besides the pedigree
there are all kinds of dogs
you can lay beneath
some with fancy haircuts & collars
some with separation anxiety
i used to believe in things like beauty & kindness
i used to tie up my hair & rouge my face
the first notes i got on my manuscript
were that i couldn’t leave all the men
who are dead to me and dead
in my book nameless
so i went through with a red pen
so i practiced
resurrection
178 The Paris-American
sam sax is a Fellow at The Michener Center for Writers & The Associate Poetry Editor for Bat City Review. He's the author of the chapbooks, A Guide to Undressing Your Monsters (Button Poetry, 2014) &, sad boy / detective (Winner of the 2014 Black Lawrence Chapbook Prize). His poems are forthcoming in Boston Review, Hayden's Ferry Review, Minnesota Review, Normal School, Rattle & other journals.